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The design elements, design configuration and colors of this prayer rug are very traditional.
Influences from this Bergama group are seen in certain Milas prayer rugs.
Distinguishing between the two based on design and color alone is difficult.
The Bergama attribution for this rug is based primarily on weave pattern and, to a lesser extent, its structure.
The rug has a limited yet well-coordinated palette.
The dyes are from all natural sources and are rich in substance.
Octagonal shapes in alternating colors of indigo blue and madder red display assertively on the saffron yellow ground.
A diamond form and hooked motif are seen within each octagon and hooked motifs also frame the octagons.
Consistent with the design heritage of this group, the borders are very wide.
The color and shape of the mihrah are also quite traditional.
The field has a pragmatic distribution of secondary elements, primarily hooks forms and highly stylized floral motifs
Condition: Good. There are scattered repairs and reweaves. The pile is full with no wear or damage. |
