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This bag face features the 'eagle' design, a design seen in a large number of Shahsavan weavings.
The Shahsavan depict the 'eagle' in an outline scheme where only the extended wings, a portion of the neck and tail are distinguishable.
According to Tanavoli, the Shahsavan 'eagle' recalls some pre-Islamic eagle. (citing M. Bayani, L'Aigle, symbole de la Grace, Etudes Historique de l'Iran, #3 May 1975, Tehran, pp. 9-25, Figs. 13, 20, and 21.)
This example presents a five-part field dominated by a red octagon featuring two symmetrically-arranged 'eagles'.
The top and bottom levels of the five sectioned field display very precisely articulated 'abdul-burum' motifs on an ivory ground.
The colors used in these motifs include indigo, teal, red, orange-red, and aubergine.
All the colors in this piece are from natural dyes.
The use of quincunx motifs (groups of five dots in 2-1-2 formations) is prominent, and a bit unusual, within the central octagon.
This device can also be seen in other areas of the field.
The extensive and successful use of positive-negative forms is testament to the considerable age and apparent import of this weaving. Perhaps it was a dowry piece.
These positive-negative forms are seen in the main and secondary border guards and the secondary border itself.
The use of these reciprocal designs create a greater sense of movement and also forge a link between the background and the design patterns thus creating a sense of scope and depth.
Condition: The condition of the field, main and secondary borders is very good. In these areas, there is no damage or wear.
There is evidence of wear on the edges. The bottom is reduced slightly. The enclosures at the top have some damage. The sides are 'nicked' in places.
Handle: The handle is very supple. |
